With kids on school holidays, Hilary Bell had a full schedule when I asked her if she’d talk with me for this project. Undeterred, Hilary offered up her kitchen table as a place for a chat. Over tea and cake, she told me about her love of Sondheim, her experiences at Julliard, what it was like growing up in a theatrical family, and why being a part of 7-On is so important to her.
“Being a playwright is always ultimately collaborative because you don’t write just for yourself, but for the many interpretations that come between you and the audience; but, there is a period where you can sit in your room for many months with no one to talk to. While I enjoy that, I am at a point where I am looking to work with dancers, and painters, and aerial acrobats, and see what else theatre can be.”
I am struck by the uniqueness of your style. It hardly seems to fit easily into a “category.” Do you have a way of describing your style?
For a long time, my aim was to never repeat what I had done. That was not because I wanted to dazzle and be brilliant, but to see what was out there and explore different possibilities. (more…)